3. Learning Targets – What are the objectives for the lesson? | |||||
3.3 – Cite the EALRs/standards using the numbers and text. Usually limit the lesson to 1 – 2 EALRs. (+5) | |||||
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3.4 – Cite the corresponding GLEs/performance expectations using the numbers and text. (+5) | |||||
1.2.2- Apply a variety of strategies to comprehend words and ideas in a complex text2.1.6- Apply comprehension monitoring strategies to understand text: monitor for meaning, create mental images.
2.3.3- Understand literary devices and explain how they make the story more interesting and/or convey a message. |
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3.5 – Cite the objectives (skills or concepts) for the lesson. What do you want students to think, know and/or be able to do at the end of the lesson? They need to be aligned with the GLEs/performance expectations and EALRs/standards. (+5) | |||||
Students will analyze a poem and create mental images to find the deeper meaning of a poem. | |||||
Essential Question: How does re-reading a poem help me figure out the deeper meaning hidden in a poem? How does creating mental images help me better understand the author’s message in a poem? | |||||
4.8 – Complete the following table to highlight what the students will do to demonstrate competence specific to learning for this lesson. | |||||
Description of formative assessment activity (required) (+5) |
Evaluative criteria (+5) |
What the assessment is designed to assess (+5) |
Feedback to students (+5) |
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Students will analyze the poem “The Road Not Taken”, by Robert Frost. They will identify literary devices, uses of punctuation, the speaker, the audience, and create mental image to find the deeper meaning of the poem. | Poem has multiple annotations with important words or phrases circled or highlighted. Poem will have an explanation of student’s ideas of the meaning of the poem. | Student’s ability to annotate poem and identify literary devices. Student will be able to synthesize information and explain their idea of the author’s message. | 2 to 1 small group verbal feedback.Whole group feedback on information learned.
Written feedback on poems identifying what they did well and what they need to work on. |
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Description of summative assessment activity (optional) |
Evaluative criteria |
What the assessment is designed to assess |
Feedback to students |
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Students will analyze a poem individually identifying literary devices, impact of literary devices, the deeper meaning of the poem, evidence cited specifically to support their answers. | Poem has 10 circled/highlighted words or phrases with annotations relating them to feelings and emotions. Poem has 3 literary devices identified. Poem has at least one sentence describing what the student thinks the deeper meaning of the poem is, and 3 pieces of evidence to explain | Student’s knowledge of literary devices and ability to identify them. Student’s ability to find the deeper meaning in a poem. Student’s ability to cite evidence to support their answers. | Written feedback on analysis. | ||
5. Instructing and Engaging Students in Learning – What will happen in the lesson? | |||||
5.5 – Describe the sequence of steps in the lesson in the following table. General lesson sequences may be more directive (e.g., ITIP) or open (constructivist). Whatever design is used, the lesson needs to be explicitly outlined. (+45) Points here will depend on clarity, organization, and applicable Marzano strategies. Blog reflections are scored separately.Complete the following table:
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Time |
Learning experiences |
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(2 minutes) Read out learning target and re-write target in student voice as a class.(15 minutes) Read aloud and model analysis and annotation of “A Dream Deferred”, by Langston Hughes. This is the first time that we will read this aloud together as a class. We will repeat this two more times, as we are working on students reading out loud, and re-reading poems.
(5 minutes) Use turn and talks to create mental images for finding meaning of the poem as a group. Write student ideas on poem. By writing student ideas on the poem on the document camera we are acknowledging student voice. Instead of writing what I think, we are creating a whole class analysis. This coincides with Marzano’s ideas of reinforcing effort and providing recognition. (20 minutes) Students go back to tables and work in pairs to read “The Road Not Taken”, by Robert Frost to each other to practice re-reading a poem. This is an example of “cooperative learning” from Marzano’s best practices. Students begin annotating poem in pairs and create mental images to understand meaning of text. I want them to do this together as the next step after this lesson will be for them to do it on their own. This is part of the theory of gradual release. (8 minutes) Pull class up front and share ideas of the meaning of the text, check for clear and unclear meanings, check for identification of literary devices. Students will then take a few minutes to write their own ideas of what the deeper meaning of the text is in a single sentence. This is to prepare them for a discussion on theme, which is in upcoming lessons. This whole lesson is a lesson in note-taking, annotating and summarizing for the purpose of finding deeper meaning within a complex text. We are trying to get them to do this with poetry, but also to understand that this way of thinking can help them with other subjects and other texts that they have to read for class when they find it difficult to find the meaning of the text.
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REFLECTION: The idea of this lesson was to try and help students understand how to find deeper meaning within a text, which is a difficult lesson, but incredibly important lesson to learn. My prediction was that my honors students were going to be able to do this with much more ease than my proficient students, but interestingly enough many of my honors students struggled with this task, and the proficient students grasp the concepts much more easily. I think one reason this could be is that with poetry there is no right or wrong answer, so you can never tell a student that they got the answer. This frustrated a lot of my honors students who are very used to getting the answer right or wrong, and a few of them have qualities that are similar to being a perfectionist. It was very interesting to watch them struggle to find the meaning of the poem, as many of them took everything too literally. The honors students could identify that part of the poem was a metaphor, but could not explain what the metaphor meant or why the author used the metaphor for emphasis.
I find that this model of a gradual release very well to help guide students in the right direction. Often I do not scaffold enough for students so this time, as I was introducing very new material, I was careful to lay the lesson out very clearly and simply, so students were clear as to what they needed to do. This lesson worked really well, and I like the idea of everyone contributing to the annotation of the poem, and showing them how far you can go with interpretations. I also liked how it showed them that there are many different answers to the meaning of a text, and that not just one is right or wrong. I could honestly teach this poetry unit for an entire year, as I am having so much fun with it, and feel like we are getting to the meat of understanding text, and writing some truly creative poems. We have done so much in this whole unit working with grammar, structure, thesaurus work, dictionary work, annotating- the list goes on. The students have all seemed to loosen up a bit in this unit and I am really enjoying seeing their creative sides. We have done some art that goes along with the poetry and it helps to let the students who like to create art a chance to shine.